The Old Queen's Head is a pub even closer to where I live than The New Red Lion Theatre. As a lazy comedy fan, it's probably the handiest venue to go to. I've been there once before when it was so packed I had to sit on the floor right at the front of the stage, craning my neck upwards to see the acts. My neck could barely see their chests, never mind their faces, so I spent most of the time looking at comedians' crotches. This was even more noticable when 9'2" comedian Steven Merchant turned up!
This time was different. the lovely Annelie had booked us a table (quite handily near the bar) where I was joined by the lovely Richard and Rob. Richard had completely forgotten about this gig even though I had told him yesterday about it, and did finally manage to turn up (even though the cash in his pocket amounted to a pound less than the entrance fee) and was allowed in to sponge the extra quid from Rob.
We did hear beforehand that Mark Steel couldn't make it as he was stuck in snow in Kent. This was a shame (especially for Mark) as he was the only comedian on the bill I hadn't experienced before, and I was very keen to see him , and I did plan to have a picture of himself and Herring together for this blog and refer to him as Andrew Collins throughout just to see if anyone would notice.
Carl Donnelly is a comedian I have seen before at Fat Tuesday, and more recently on Mock The Week and he was our compere for the night. His free flowing style suited this role and was happily engaging charmfully with the audience, which ended up with Aussie Top Trumps where he picked random categories to compare the 2 Aussies in the audience to find out which was best.
Eric Lampaert was the first act to perform. I had seen him before (with Rob) at a warm up for Richard Herring's "Christ On A Bike" show before Edinburgh, alongside Joel Dommett (who ended up naked... anyway that's beside the point...) and he had a real Eddie Izzard feel to him. Semi-improvised, and able to take ideas and run with them, pointing out his Edinburgh reviews comparing him to a shark and had the audience on side after a while. Well worth seeing. He did wonder later on Twitter if ending with new material was really a good idea!
However both Eric and Carl's sets were spoiled for me by the table at the back. Although the comedians' couldn't hear them, they were quite happily chatting amongst themselves. I glared a few times, and eventually as this continued into Eric's set had to ask them to keep the conversation down. I had assumed in my head that this would end up with a big unseemly argument, but they seemed to take it on board and I didn't notice them again. Hurrah!
(Oh Christ, I'm going to Highlight (ex-Jongleurs) on Friday. I just remembered. Although Carl did tell me in one of the intervals that they can be good nights. I'm still slightly concerned.
We then found out via Twitter (of course) that Richard Herring had been having travelling problems. Flat battery. I began to wonder if this gig was doomed. Thankfully he jumped in a cab and I didn't have to do his set as he suggested. Unfiortunately he will not be able to eat tonight. The taxi driver's family will do just fine however.
Sara Pascoe was on next. I saw her at All Day Edinburgh and although I enjoyed her set, there was something that didn't grab me. Don't get me wrong, she was good, but there were quite a few better acts on the bill. However tonight she nailed it. Absolutely storming set and I will 100% see her again.The mixture of strength and insecurity she showed was spot on and she won the crowd over easily.
Then Rob had to leave to go to work. I bullied him into apologising to Herring for walking out before he had even started his set. Just for my own amusement really! Sorry Rob.
The evening ended with Herring, and I'm not going to go into the details of the show here. I've done that enough in the past. However the place was loving him, and the regular routine, but now incorporating elements from Hitler Moustache and Christ On A Bike went down extremely well. The laughs were coming so often I couldn't hear the table at the back at all! He threw in an improvised section when a punter arrived upstairs with two pints in his hand who seemed about to step across the stage to go to a table, speculating that he may be a new comic and debating what his catchphrase may be. Herring has a solid routine, but as he has said himself, it may be time now to write new material for it. Some of it has to stay, such as the "sky potato", "seven year old girl hands", and "signs for homosexuality at school" routines, but some could be trimmed a little. Perhaps use less of the childhood stories. However this doesn't mean dropping the "Men Of Phise" classic!
Incidentally, while Richard has been (jokingly) asking to be credited for sections of Andrew Collins' "Secret Dancing", maybe he should give credit to Andrew for writing the "Icarus Myth" line? In fact Andrew should insist on it!
Anyway, all in all, a fun fun night. 4 great acts. No filler. Comedy Gold is a great night. This along with Fat Tuesday, The Fortnight Club and Sunday Comedy at The New Red Lion Theatre makes me glad to be an Islingtonian.
(Still thinking about the Frankie Boyle travesty from last night. Should I end this blog on a rape joke?)
Wednesday, 1 December 2010
Monday, 22 November 2010
All Day Edinburgh - a benefit for Shelter

The day was to begin in a rather traditional (for me and Neal) Phoenix way with Sunday lunch at The Explorer. This was probably the best idea we had bearing in mind the endrance test of booze we were about to undertake. We were joined by Graham, Hitch, and Sir Bob, as well as Woolhouse, Sedgebeer and Vicky H. Vicky seemed to take great delight in giving me one of her now infamous (to me anyway) "boob hugs". I won't say any more about that.
Before we go any further, all the crappy out of focus pictures were taken by me on my crappy out of focus phone. All the good ones were taken by Neal Peters and the entire set can be seen here.
Acts that had been revealed for ADE included Tony Law, Penny Dreadfuls, Pappys, Dan Antopolski, Paul Sinha, Sara Pascoe, Nick Helm, Hour Of Telly Live, Tara Flynn, Mat Ricardo, Jim Bob, Alex Horne, Colin Hoult, Storytellers, Caroline Mabey, Robin Ince & Michael Legge, and The Trap.
Vicky Hook |
Hitch |
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Michael Legge |
Michael warmed us up with a nice anti-Edinburgh, anti-homeless and anti-comedian rant before the first act Nick Helm came on. I had missed Nick at the opening night of Sunday Comedy at the New Red Lion Theatre At first I was a little unsure about him as he opened with a lot of shouting. but once he moved into his first song about a girl he likes having a hot boyfriend who made her look fat, his vulnerability started to come through. Watching Nick made me glad for once that I didn't have a front row seat as his intensity was pretty intimidating, dragging one lad on to stage to sing a sing as well as bringing a girl on stage where he spoke to her through a tin can telephone. When she was asked about her favourite canned food, she told him it was mushy peas to which he responded that they were much better than having whole peas in a can due to all the draining involved. In fact all the draining was draining. Excellent stuff.
Next up, was An Hour Of Telly Live who are a duo comprised of Margaret Cabourn-Smith and Zoe Gardner who perform some telly for us. Live. Michael was less of a compere, and more of a fan when he introduced them and Robin Ince had tweeted when he was on his way that he hoped he hadn't missed them. A great fun show, well worth seeing, even if only for the line "Your teeth are cunts".
Caroline Mabey was up next with a routine all about breakfast with an accompanying slide show whch discussed "Breakfacts" and "Breakfantasties". The self-importance of breakfast describing itself as the most important meal of the day was discusssed as well as it inpinging into the other meals due to the rise of the all-day breakfast. Caroline is quite unique in her delivery, giving us a mixture of straight forward jokes along with her surreal narrative.
Next up was Interval #1. I've had intervals before and this was a fairly standard one. I bought a beer, had a cigarette and kind of hung around. Not bad. But I wasn't ready for an interval at this stage and could have done without it.
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Robin Ince |
Sara Pascoe was up next who explained that due to her poor reviews at Edinburgh her confidence had been knocked and was not going to do material from that show, but she gave us some new material, a particular highlight being her graphic novel based around a "pornography" she has written. I can't remember all the details, but there was a lollipop lady, and ambulance driver, a dead child and a minotaur...
You have probably read about The Trap before on this blog, as they are 75% of Los Quattros Cvnts. I have always liked these guys, and I'm not a huge fan of sketch comedy, but their podcasts are always rambling, surreal and hilarious. The first sketch was an attempt to do hard hitting satire that was always interrupted by some rather cheesy show music. They went on to do a sketch involving Jeremy and Paul wearing fez's (always funny!). The Two Nevilles. This was a long routine that parodied old music hall duos and I wasn't really sure where it was going until Dan asked them how long they had been working together and they said it was so long they could do the routine backwards. Dan insisted they did. This was where the real comedy happened as this was a palindromic sketch which turned the charming if not especially hilarious sketch into quite an offensive routine that The Two Nevilles looked more and more shocked as the routine evolved in reverse. This was the best sketch The Two Ronnies never had (the clue was probably in the characters' names!) Brilliant stuff, backed up with the next sketch which comprised solely of the alphabet and nothing else. Very very funny guys.
Juggler, Mat Ricardo was up next.. I've seen clips on Youtube where rather than pulling a tablecloth off, leaving the crockery in place, Mat does the trick in reverse. However, this has to be my first apology of the blog as sometimes when you haven't made the most of the first interval, you have to make an interval of your own (I was dying for a wee, a fag and a drink) and I'm afraid on a long day when you have to pick an act to sacrifice, then I'm afraid it's often the juggler. Sorry Mat !
Interval #2 was good. Much better than the first one. It was so good I was late back and missed the start of Alex Horne and his Horne Section. This was yet another great act involving some audience interaction from Alex whilist his band played in the background. An improvised version of "One Wild Night" by Bon Jovi went down well even though I'm not sure if anyone has heard the song, or indeed if it exists. Great joke about 'Chat' magazine, with one audience member sayig her friend wrote a household tips column for it. Alex was confused why a French magazine about cats would have this! The set ended with a rather unexpected morris dance with a near disastrous end when all balance was lost.
I've never seen Pappy's before, but always heard good things. I was a little unsure whether the gloriously shambolic set they performed was scripted or whether that's how they always are, but got a lot of laughs and the build up to the three musketeers reading the football results was fantastic!
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Chris Addison |
I was so overcome by Chris that I needed more booze etc so apologies to Storytellers for missing almost their entire set. I'm sorry, although I got back in time to hear a story about joke theft committed by Stephen K Amos !
Dan Antolpolski was as awesome as you'd expect updating his classic "Hedgehog" joke to ask "Warthogs. Why can't they share the warts?" No narrative, just joke joke joke. He went on to explain the racial heritage of his children with pie charts, and confused the audience by questioning if you should use the word "hair" or "hairs". this went on for so long it definitely out "Mars Bar"ed Richard Herring! He talked about his friendship at school with George Osborne (a Stewart Lee style exaggeration?) and his suspicion that he likes retarded porn. His set included another of the best lines of the day: "I can't help myself. Like Stephen Hawking at a buffet" He ended the set with a rap about his laser. That isn't as scary as it sounds!
Star of "Gutted", Colin Hoult was next. He played an army veteran (Andy Parker) who promised us he would not be doing any of that "poofy stuff". He told us about his money making schemes including drawing TMNTs*. He has also written a screenplay based around Hostel where he has a "poofy bloke" and a "fit bird" being killed horrifically by Mr Giggles, finally being defeated by an "army bloke" This is the second time I've seen him play this guy, and would love to see more of his work. Great stuff.
*TMNTs - Teenage Mutant Ninja Turtles
Paul Sinha sets out his stall from the beginning explaining he is gay, Indian, and ex-doctor and a quizzer. very funny guy who talked about his appearance on radio (never telly, always radio) to debate with the deputy leader of the BNP. He then went on to speculate which member of Pappy's he would do first !
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Tony Law |
More music next from Tara Flynn who performed 3 songs from her Big Noise show that I already blogged about here. I was very happy to hear "The Fog From The Film The Fog" as well as her song about Irish sexuality containing my favourite lyric of the evening "You custard bastard. I'm your custard whore"
Have you noticed that each act is getting less and less written about them as this blog goes on? Sorry but my fingers are tired, the blog is too long and my memory is fading...
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Sean Goldsworthy (aka Paul Litchfield) |
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Jim Bob |
Hitch and Legge have a lovely snog |
Sincerely though, a great job by Michael for organising this, and looking forward to next year's already. After the gig, Hitch and I went to The Rocket on Euston Road and were soon joined by Woolhouse. A more perfect ending to the night I couldn't imagine.
Then Hitch threw up in a bin.
Monday, 15 November 2010
New Red Lion Theatre
Catie Wilkins |
The night was compered by the ever-lovely (I've used the word 'lovely' too much, haven't I?) Catie Wilkins.The club runs every fortnight and this was only the second time it was on. Some good acts coming up so keep an eye on their Facebook page !.
Me and Richard (@Chardhollis) |
Anyway, Imran Yusuf was on first. He was pretty good -
The next act, Suzi Ruffell was absolutely fantastic! I had never seen her before, but I certainly will again. Her routine near the end about Lady Gaga's song where no matter how drunk she is, she sorts it all out with a little dance was hilarious, as was her secret lesbian salute! We had a nice interval and spent most of our time gushing over Suzi outside. (not like that!). We told her how great she was, and is definitely a name to look out for in the future.
A stage on a stage? |
Actually the toilets aren't bad (though there is only a tiny tiny gap between the tap and the sink so very hard to get your hands wet although I'm sure Richard H had no problem with his 7 year old girl hands (more of that later)
Next up, was
Herring & me. I don't know why my face is doing that. |
So in closing, this is a great comedy venue, and I will definitely be back.
Anyway, I have two things I want to do with this blog:
- Stop using so many exclamation marks.
- Write about things other than comedy gigs.
Next Sunday, the 24th November at The Phoenix, there is a benefit gig for Shelter as Michael Legge recreates Edinburgh Fringe in one day. it's going to be awesome, so make sure you come! Follow AllDayEdinburgh on Twitter for more details! Many acts to be confirmed, but so far they have Tony Law, The Penny Dreadfuls, Jim Bob (from Carter USM !!!!) , Pappys, Robin Ince & Michael Legge, Sara Pascoe, Paul Sinha, The Trap, Storytellers, Nick Helm, Tara Flynn, An Hour of Telly Live, Mat Ricardo, Caroline Mabey and Dan Antopolski to look forward to with bigger names yet to be announced.
Get tickets to All Day Edinburgh here. But be fast as I imagine they will go very quickly.
(I may write about it.)
* by the way Stand Up Hero is a great show. Like the X Factor of comedy except most of the acts are actually good. Look out for Mary Bourke on an upcoming episode.
Sunday, 7 November 2010
It Looks Like Something Harold Wilson Would Shit In
I was going to do a blog about the October LQC show, but I just didn't get around to it. It's now fading fast from my memory, so roughly it was grub at Old Explorer, the vegan fisherman with no food for his starving Paul Lichfield toddler, We Need Attention, Collins and Herring in attendance, Caroline Mabey, pork eye / poor guy (shades of Jimi Hendrix there), Ladies and gentlemen... please welcome... Miss Barbara Toronto, Colin Hoult's ex army character Andy " don't worry I'm not gonna do any of that poofy stuff" Parker, portraits of TMNTs, Jeremy Limb's new radio sitcom "Down The Pole", drinking upstairs, perhaps slightly offending Muki by telling her that although I enjoyed the night as always, I had seen the Cvnts do better shows, and going home.
Anyway November has arrived and so did a tube strike. This would not deter the Cvnts. Nor me. I got on a trusty number 73 bus and ended up snarled up in traffic in Pentonville Road. I got off the bus and walked to Kings Cross and found the entrance to the tube was shut. Seems that even KX had been affected by the strike. The bus caught up with me after 10 minutes and I got back on, only to get off again in Gower Street when I got off again. I walked to the Olde Explorer..
I know it's a boring start to this blog, but it was also a boring start to the evening, so tough. I was also going to write a "then I got off the bus" joke but couldn't really be bothered.
Met up for grub with Neal, Graham, Roop, and we were finally joined by Hitch. Turns out Hitch managed to tube it from Kings Cross to Oxford Circus and it was fine all along. They had just shut my entrance, so that slightly irked me. Last time I saw Hitch he was smashing my ukulele to bits (I was informed last month by Graham that actually missed the ground with one of his Paul Simenon strikes. Now that I would have liked to have seen !)
Anyway, on we went to the Phoenix and outside bumped into the ever lovely cvnt Paul Litchfield. He seemed visibly excited when I told him of Hitch's "Belm" T-shirt. I had already had to get Hitch to explain what it meant as I haven't listened to as much of The Trap as I should.
The Cvnts came on and we were soon straight into hardcore political satire involving spending cuts (they had to drop Dan from their workforce.). This was followed by a sketch involving Stefani Joanne Angelina Germanotta being told by her agent to choose a new name for her career (luckily Michael explained this was Lady Gaga's real name.) This had shades of Eddie Izzard's Englebert Humperdink routine, with Michael suggesting many and varied ideas to Stefani (Paul) most of which he hadn't heard, which led to much corpsing to our delight. Amongst many suggestions were:
Mr Nougat (real name Arnold Bawden) went down a storm. Arnold is an extremely bitter old children's entertainer from the music hall era tormented by the lovely, silly, dotty Mr Nougat "I am in a muddle". If the Cvnts read this, make sure you bring him back for another show.
We were teated to a new TV panel show "Mock The Antiques" where Dan Mersh's temporary replacement Aisling Bea played a rather posh lady trying to get her antiques valued while Paul's Russell "That would be weird, wouldn't it" Howard and Michael's Andy "It looks like something Gordon Brown would shit in" Parsons. This Andy Parsons got one of the biggest laughs of the night and I would definitely lie to see him again! Michael's costume was very well put together comprising of a post it note with the word "bald" written on it, and Andy's topical references moving further back in time was a great touch.
I think I speak for everyone to say how glad I was to see the return of Sean Goldsworthy, Cornwall's 4th most erotic purveyor of online "eroticker". Listening to his story of Jack Shield provided many laughs and slight arousal.
"Some say his mother had been struck by lightning. Other people didn't say that"
Robin Ince came on after the break to a now traditional dance from the Cvnts. Robin quite surprisingly managed to remain quite non-plussed by this lunacy and launched into his fantastically shambolic rambling routine. As usual, he only got through about 3 of his cards out of an entire handful.
Now - a note for your diary. 21st November sees "Edinburgh In A Day" at The Phoenix - a benefit for Shelter - running from 2pm onwards which promises a fantastic line up including Robin Ince and Michael Legge's "Pointless Anger, Righteous Ire", as well as 2 BIG name comedians to open and close the show. Follow Michael on Twitter to get updates about this as they happen.
See you there!
Oh - Los Quattros Cvnts have a Facebook group. Don't be a cunt, be a cvnt and join it now.
Anyway November has arrived and so did a tube strike. This would not deter the Cvnts. Nor me. I got on a trusty number 73 bus and ended up snarled up in traffic in Pentonville Road. I got off the bus and walked to Kings Cross and found the entrance to the tube was shut. Seems that even KX had been affected by the strike. The bus caught up with me after 10 minutes and I got back on, only to get off again in Gower Street when I got off again. I walked to the Olde Explorer..
I know it's a boring start to this blog, but it was also a boring start to the evening, so tough. I was also going to write a "then I got off the bus" joke but couldn't really be bothered.
Met up for grub with Neal, Graham, Roop, and we were finally joined by Hitch. Turns out Hitch managed to tube it from Kings Cross to Oxford Circus and it was fine all along. They had just shut my entrance, so that slightly irked me. Last time I saw Hitch he was smashing my ukulele to bits (I was informed last month by Graham that actually missed the ground with one of his Paul Simenon strikes. Now that I would have liked to have seen !)
Anyway, on we went to the Phoenix and outside bumped into the ever lovely cvnt Paul Litchfield. He seemed visibly excited when I told him of Hitch's "Belm" T-shirt. I had already had to get Hitch to explain what it meant as I haven't listened to as much of The Trap as I should.
The Cvnts came on and we were soon straight into hardcore political satire involving spending cuts (they had to drop Dan from their workforce.). This was followed by a sketch involving Stefani Joanne Angelina Germanotta being told by her agent to choose a new name for her career (luckily Michael explained this was Lady Gaga's real name.) This had shades of Eddie Izzard's Englebert Humperdink routine, with Michael suggesting many and varied ideas to Stefani (Paul) most of which he hadn't heard, which led to much corpsing to our delight. Amongst many suggestions were:
- Patrick Troughton
- Jug Norris
- Arthur Vagina
- Michael J Badger
- Professor Dress
- That Little Arab Boy
- Bank Piss
- Titty
- Little Chip

Mr Nougat (real name Arnold Bawden) went down a storm. Arnold is an extremely bitter old children's entertainer from the music hall era tormented by the lovely, silly, dotty Mr Nougat "I am in a muddle". If the Cvnts read this, make sure you bring him back for another show.
We were teated to a new TV panel show "Mock The Antiques" where Dan Mersh's temporary replacement Aisling Bea played a rather posh lady trying to get her antiques valued while Paul's Russell "That would be weird, wouldn't it" Howard and Michael's Andy "It looks like something Gordon Brown would shit in" Parsons. This Andy Parsons got one of the biggest laughs of the night and I would definitely lie to see him again! Michael's costume was very well put together comprising of a post it note with the word "bald" written on it, and Andy's topical references moving further back in time was a great touch.
I think I speak for everyone to say how glad I was to see the return of Sean Goldsworthy, Cornwall's 4th most erotic purveyor of online "eroticker". Listening to his story of Jack Shield provided many laughs and slight arousal.
"Some say his mother had been struck by lightning. Other people didn't say that"
Robin Ince came on after the break to a now traditional dance from the Cvnts. Robin quite surprisingly managed to remain quite non-plussed by this lunacy and launched into his fantastically shambolic rambling routine. As usual, he only got through about 3 of his cards out of an entire handful.
Now - a note for your diary. 21st November sees "Edinburgh In A Day" at The Phoenix - a benefit for Shelter - running from 2pm onwards which promises a fantastic line up including Robin Ince and Michael Legge's "Pointless Anger, Righteous Ire", as well as 2 BIG name comedians to open and close the show. Follow Michael on Twitter to get updates about this as they happen.
See you there!
Oh - Los Quattros Cvnts have a Facebook group. Don't be a cunt, be a cvnt and join it now.
Saturday, 6 November 2010
Upthear.se
- Bit.ly
- Tinyurl.com
- Is.gd
- j.mp
What have these all got in common? Yes they can make long complicated URLs shorter, making them easier to remember and especially to post on Twitter. Yes, they all quick to type too. But the main things they have in common are that they are CHARACTERLESS AND BORING.
I implore you, from now on when you need to shorten a URL, please use the magnificent upthear.se - As well as being able to choose your own personal ending, how can it possibly not raise a smile?
Here are some of my favourite blogs in an easy to remember upthear.se stylee !!
upthear.se/andymch - Me!
http://upthear.se/michaellegge - Michael Legge
http://upthear.se/richardherring - Richard Herring
http://upthear.se/andrewcollins - Andrew Collins
http://upthear.se/collingsandherrin - Collings & Herrin
http://upthear.se/taraflynn - Tara Flynn
http://upthear.se/paulsinha - Paul Sinha
http://upthear.se/tiernandouieb - Tiernan Douieb
http://upthear.se/robinince - Robin Ince
http://upthear.se/catiewilkins - Catie Wilkins
http://upthear.se/woolhouse - Nicola Woolhouse
http://upthear.se/vickyhook - Vicky Hook (nee "Harsehole)
http://upthear.se/drunksarah - Sarah Williamson
While I'm on an upthear.se roll, if any of you guys are around on Sunday the 14th, come to a new comedy night in Angel at The New Red Lion Theatre to see Richard Herring, Imran Yusuf and others, all held together by Catie Wilkins, MC - Tickets at upthear.se/newredlioncomedy
Yes I know - crappy blog, but let's crush tinyurl, dwarfweb, nanoaddress and all the dreary but practical shorteners, and lets all get upthear.se now!
(Oh, quick note to self - try and do more blogs that aren't just about going to comedy gigs)
Wednesday, 8 September 2010
Big Noise and Big Fun*

Anyway it was nice of Tara Flynn to practise her show in Edinburgh for a month before the big event back at The Phoenix. As usual it was also great to see some old Twitter types such as Neal, Rob, Vicky and Jason
Now, I know Tara mainly through the London Comedy Improv. You may know her through that too. Or perhaps you've seen her on Stewart Lee's Comedy Vehicle or the Paul Merton series, "Thank God You're here". Or indeed the lady in "Doctors" a few months ago. (I missed this performance sadly). Or indeed as we were reminded later, "The woman from the Utterly Butterly advert.
Opening tonight was London Comedy Improv's tallest and Irishest member Brendan Dempsey. I had been unaware all this time that Brendan still did stand up (I was obviously ill-informed by Neal earlier) and thought he mainly did comedy acting and the improv, but I'm so glad he does. Brendan has a very gentle calming voice and I lazily compared him to Tara afterwards to Ardal O'Hanlon before she pulled a funny face and told me that it's probably because he's Irish. Anyway the point is (and I'll come back to this later) sometimes the support acts take you by surprise and you can find a whole new realm of comedy to follow.
Tara's show (Big Noise) is a collection of comedy songs with no particular narrative. No message. No story. Now I have always been suspicious of musical comedy. Sorry, but I just don't get the whole "Beat me on the bottom with a Woman's Weekly" stuff.
She opened with a tribute to the "Quirky Ones" (Lily Allen et al) followed by a number of other songs about topics as diverse as Weetabix (with the inexplicable dry bit in the middle) as well as a fantastic 80s Hazel O'Connor style track involving science and nuclear war.
The closing song was an epic German/Irish electronic track about a "custard bastard" (she's the custard whore.) This is a phrase I shall attempt to use in conversation a lot more than I used to. Tara also gave me a new religion which I have added to my Facebook page (non-practising Buddhist) which has somehow tickled me and sounds better than the rather po-faced "atheist". This is a show I really hope Tara can develop, perhaps eventually involving a live band.
You can see a clip of Tara, Brendan and others singing an improvised song (at London Comedy Improv obviously) here
I also went to see Catie Wilkins for the second time in a week. Now this was a spur of the moment decision and I had been "out" most of the afternoon so my memory isn't all that good ! So forgive me if this ends up rather short.
Opening was Lou Sanders. I always get nervous seeing comedians I've known about and followed on Twitter etc for the first time. I always really want to like them, and it often isn't the case. But Lou was hilarious ! (Thus linking back to the support act thing I mentioned earlier.) Also a very humble lady. After mentioning to Lou on twitter that I had enjoyed her set, she replied:
"@AndyMcH ahhh thank you! It's true, I am cocking awesome. X"
It's good to have that confidence ! I will be seeing her again. (not like that!)
Catie is a relative newcomer to comedy and "Inheritance Tax" was her first hour long show. I remember seeing her do a short set around a year ago opening for Richard Herring at Fat Tuesday and howling when she told her AIDS joke. She was advised not to perform this routine in Brighton as gay people may be offended, but that's utter rubbish.

Highlights include her dad's Christmas circulars to her whole extended family where her mother has been very ill but he has gone off to the skiing holiday by himself anyway and explaining mum's illness in all its gory detail whilst explaining how much he enjoyed his holiday, as well as her mum's fantastic catchphrase - "How dare you come here and say that" - another phrase I will attempt to use more often.
Conscious of how drunk I was, I made my goodbyes as brief as possible as I otherwise would have turned into an annoying pest (again) and headed back to Camden Town and finally home.
Tara Flynn, Brendan Dempsey, Catie Wilkins, and Lou Sanders - see them when you get a chance !!
* Yes I know this is mainly a blog about Tara and Catie and I know that Catie is kown as "Show Pony" in her podcast she does with Lou "Big Fun" Sanders, but "Big Noise & Show Pony" would have been a weird title. Confusing at best. If you have a problem with this, please feel free to leave a comment, or email me. Send me a message on Twitter if you like. But don't just moan about it. It's only a title. What's your problem? To be honest I find your attitude rather poor. Insulting even. I don't need to do this. I could have just called it "Catie Wilkins & Tara Flynn", but that's just two people's names, and would it have drawn you in as much as "Big Noise & Big Fun"? Now I wish I hadn't criticised the title of Catie's show. I know how it feels now. Catie, I'm sorry. But these people just... AARGH. God they wind me up. I shouldn't let it get to me, but you should see what people are sending me. Then you'd understand. In fact don't even mention it to me any more. Not interested. Now seeing as Ewen MacIntosh has put his personal number up on Twitter send a text to him instead. I'm just don't care about your opinions. What????
How dare you come here and say that you custard bastard.
Tuesday, 31 August 2010
The Trap - Bad Musical
I hate Edinburgh Fringe.
Mainly because I haven't been and all the fun people abandon me for a month leaving my blog empty and my life just a shell.
However there was the smaller and less known Camden Fringe just a short bus ride away and I decided to see "Bad Musical" by The Trap.
The Trap consist of Jeremy Limb, Paul Litchfield and Dan Mersh and release their own free "Sodcast" every week or two on iTunes. t's an hour long barrage of non-sequiturs, amusing voices and odd logic and if you're a fan of Collings & Herrin or Precious Little then it's well worth a listen. I mainly know The Trap as being 3/4 of Los Quattros Cvnts who perform at The Phoenix on the first Wednesday of the month (shows start again in October after a short break)
Bad Musical was at The Etcetera theatre, which is a small rather warm room above The Oxford Arms in Camden. I got there about 45 minutes before show time and waited for @Neal55 to arrive. It was hot and noisy in the main bar so I decided to wait outside. I said a brief hi to Paul but took a seat in the corner as I don't really like to disturb performers before their show (afterwards is a different matter!)
It didn't look good. I seemed to be surrounded by a group of proper lads in pink T-shirts bearing the words "Rugby Addict", being rather raucous and singing songs about pissing in the sink. At first I thought it could be an impromptu satirical Camden Fringe performance, but I soon realised they were just annoying twats.
We took our seats and the show began. An official voice informed us that the show was written as a 3 hour piece but had to be truncated. Every so often as the show progressed we were informed that the next long chunk of the musical had been removed, which negated the need for any important plot and allowed the characters to get out of whatever hole they had dug themselves into. We were also told that Lloyd Webber had threatened legal action and the song had to be changed.
Starting with "Life Is A Musical", The Trap tried to reference as many musical as possible with increasingly contrived lyrics. Yes, this was living up to its name (in a good way!)
"When you come back from Vietnam and you miss Saigon - that's a musical"
"When you steal clothes from Derek Acorah's line - that's a musical"
"You're a Chicken Kiev eater - that's a musical"
Prizes are available if you can guess the musicals above..
The plot rotates round Dan Mersh's character (Johnny Everyman) growing up in a small town and eventually leaving for London, becoming a banker, causing the melt down of the economic system, becoming homeless, and ending up in space. All the other characters are played by Paul and Jeremy and the array of voices they use is pretty impressive (though regular listeners to the Sodcasts will be used to this).
I just wish I had more reference points for these songs. A great Rocky Horror show style song and the aforementioned Lloyd Webber song with every 8th note painfully changed were highlights for me, as well as the many (well-rehearsed) "technical problems".
As usual for a show I'm enjoying, it finished far too quickly and we retreated downstairs to the beer garden. Luckily the pink rugby cunts had gone. Neal and I spent some time chatting with Paul (mainly about Doctor Who) and as often is the case with Paul, he utterly bamboozled and confused me with his many shifts in characters and voices. And this is after the show! Sometimes an after show chat with The Trap can be as entertaining as the show itself. They are a lovely collection of nelly sweariness.
I do hope the team play some more dates soon. Now the other Cvnt (Michael Legge) has also become a muscial star at Edinburgh with "Gutted" I imagine the next LQC could be quite a camp affair!
Mainly because I haven't been and all the fun people abandon me for a month leaving my blog empty and my life just a shell.
However there was the smaller and less known Camden Fringe just a short bus ride away and I decided to see "Bad Musical" by The Trap.
The Trap consist of Jeremy Limb, Paul Litchfield and Dan Mersh and release their own free "Sodcast" every week or two on iTunes. t's an hour long barrage of non-sequiturs, amusing voices and odd logic and if you're a fan of Collings & Herrin or Precious Little then it's well worth a listen. I mainly know The Trap as being 3/4 of Los Quattros Cvnts who perform at The Phoenix on the first Wednesday of the month (shows start again in October after a short break)
Bad Musical was at The Etcetera theatre, which is a small rather warm room above The Oxford Arms in Camden. I got there about 45 minutes before show time and waited for @Neal55 to arrive. It was hot and noisy in the main bar so I decided to wait outside. I said a brief hi to Paul but took a seat in the corner as I don't really like to disturb performers before their show (afterwards is a different matter!)
It didn't look good. I seemed to be surrounded by a group of proper lads in pink T-shirts bearing the words "Rugby Addict", being rather raucous and singing songs about pissing in the sink. At first I thought it could be an impromptu satirical Camden Fringe performance, but I soon realised they were just annoying twats.
We took our seats and the show began. An official voice informed us that the show was written as a 3 hour piece but had to be truncated. Every so often as the show progressed we were informed that the next long chunk of the musical had been removed, which negated the need for any important plot and allowed the characters to get out of whatever hole they had dug themselves into. We were also told that Lloyd Webber had threatened legal action and the song had to be changed.
Starting with "Life Is A Musical", The Trap tried to reference as many musical as possible with increasingly contrived lyrics. Yes, this was living up to its name (in a good way!)
"When you come back from Vietnam and you miss Saigon - that's a musical"
"When you steal clothes from Derek Acorah's line - that's a musical"
"You're a Chicken Kiev eater - that's a musical"
Prizes are available if you can guess the musicals above..
The plot rotates round Dan Mersh's character (Johnny Everyman) growing up in a small town and eventually leaving for London, becoming a banker, causing the melt down of the economic system, becoming homeless, and ending up in space. All the other characters are played by Paul and Jeremy and the array of voices they use is pretty impressive (though regular listeners to the Sodcasts will be used to this).
I just wish I had more reference points for these songs. A great Rocky Horror show style song and the aforementioned Lloyd Webber song with every 8th note painfully changed were highlights for me, as well as the many (well-rehearsed) "technical problems".
As usual for a show I'm enjoying, it finished far too quickly and we retreated downstairs to the beer garden. Luckily the pink rugby cunts had gone. Neal and I spent some time chatting with Paul (mainly about Doctor Who) and as often is the case with Paul, he utterly bamboozled and confused me with his many shifts in characters and voices. And this is after the show! Sometimes an after show chat with The Trap can be as entertaining as the show itself. They are a lovely collection of nelly sweariness.
I do hope the team play some more dates soon. Now the other Cvnt (Michael Legge) has also become a muscial star at Edinburgh with "Gutted" I imagine the next LQC could be quite a camp affair!
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